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・ Maria Romberg
・ Maria Romero Meneses
・ Maria Rooth
・ Maria Rosa
・ Maria Pechnikova
・ Maria Pedro
・ Maria Pekli
・ Maria Pellegrina Amoretti
・ Maria Pellegrini
・ Maria Pellegrino Park
・ Maria Pellot
・ Maria Penkova
・ Maria Pepe
・ Maria Perekusikhina
・ Maria Perepelkina
Maria Perini
・ Maria Perosino
・ Maria Perrotta
・ Maria Perrusi
・ Maria Perschy
・ Maria Peszek
・ Maria Petraccini
・ Maria Petraliphaina
・ Maria Petre
・ Maria Petronella Woesthoven
・ Maria Petrou
・ Maria Petrova
・ Maria Petrova (figure skater)
・ Maria Petrova (rhythmic gymnast)
・ Maria Petrovykh


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Maria Perini : ウィキペディア英語版
Maria Perini

Maria Perini (1873–1939) was an Italian ballet teacher who studied under the Italian ballet dancer and teacher Enrico Cecchetti. In 1916, she opened the first private ballet studio in the Tbilisi State Academy of Arts building (the former House of Arshakuni) at Griboedovi street, Tbilisi, Georgia. In 1920, it became the State Ballet School of Opera and Ballet Theatre, where she became a teacher and director. Perini grew up with several well-known artists, among them Vakhtang Chabukiani, founders of the Georgian National Ballet theater Iliko Sukhishvili and Nino Ramishvili, Tamar Chabukiani, and Solomon (Soliko) Virsaladze.〔(V.Chabukiani Tbilisi ballet Art state school )〕〔(The world encyclopedia of contemporary theatre, Volume 1- by Don Rubin )〕 She was married to the Polish-Georgian artist Henryk Hryniewski.
== Biography ==
Perini was born in Northern Italy and graduated from Turin Royal Opera ballet school. She performed alongside such well-known dancers as V. Zucchi, P. Lenian, E. Cecchetti (Cecchetti later (1892-1902) taught at the Royal Ballet School of St. Petersburg, where his students were A. Pavlova, V. Nijinsky, M. Fokine, O. Preobrajenskaya and other great dancers.) In 1891 Perini was invited to perform at the Tbilisi Opera Theatre as soloist. She was the first to perform 32 fouettes for the Georgian audience and showed virtuoso performance of ballet moves. In 1897 – 1907, she was prima ballerina at the Tbilisi Opera and Ballet Theatre, followed by pedagogical and concert activities. Her name is closely tied with foundation of Georgian Ballet school, while her methods of teaching classical dance together with generations she has raised, laid solid foundations for developing Georgian ballet.

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